Honest Review of Gettin’ the Band Back Together on Broadway – Is It Worth Seeing?

Musical Gettin' the Band Back Together - Review

In July 2018, previews began for the buzzy musical Gettin’ the Band Back Together, and we were lucky enough to be invited – three staffers got comps, so off we went.
With the invitation arriving just a day before, we meant to scramble for background info, but after watching the trailer on the official site, we grasped the gist and headed straight in. The result: we learned you can enjoy this show even if you don’t understand English. If you have seen the big staples already and are wondering what to try next, this is a strong pick.

About Gettin’ the Band Back Together

At first glance, you might expect a story where Mitch, a securities firm employee who never gave up his youthful dreams, quits his job late in life to become a musician. In reality though, it is a bit different. Mitch is quite a realist; he has filed the glory days with his old band firmly under “memories” and faces the world head-on.

Then reality bites – he is laid off for poor performance and returns to his hometown in New Jersey. Various circumstances and reasons push him to reunite the band. it is a familiar setup with a twist in both plot and character. Before you read this report, we recommend checking the detail page for a synopsis and character guide.

Venue: Belasco Theatre

Belasco Theatre

Gettin' the Band Back Together at the Belasco Theatre
Built in 1907 by David Belasco – playwright, director, producer, and a man who devoted his life to theater – the house features meticulously crafted interiors with Tiffany lighting and abundant stained glass.

Address: 111 W 44th St, New York, NY 10036

The Belasco is also famous as the first Broadway theater to use spotlights. For basic info and architectural notes, see the venue detail page.

A compact house with state-of-the-art sound

Belasco's embrace of cutting-edge tech
Once inside, you’ll notice the large PA deck that controls the audio. With just over 1,000 seats it is small by Broadway standards, yet most of the visible gear is impressively up to date.

The seating does show its age, but as the first Broadway theater to adopt spotlights, this venue has long embraced technology. We cover Belasco’s love of the latest tech on a separate page – give it a read.

A Tiffany stained-glass museum of a theater

Tiffany stained glass spanning the ceiling
Since opening 110 years ago, the ceiling has been lined with stained glass. Nowhere else on Broadway will you see this many Tiffany pieces in one theater.

Climb the stairs up to the third-floor balcony for an even closer look.

Our seats this time

We were invited and, on top of that, given terrific seats – thank you! Three together on the aisle near center orchestra. Perfect. We didn’t yet realize how much that aisle location would boost our fun.

How to read the ticket: ORCHC K 111-113

Our seat was ORCHC K 113 at Gettin' the Band Back Together
Orchestra Center = orchestra center, odd-numbered seats
Row K (12th from the front), seat 113


Seat 113 sits on the aisle side of orchestra center. The larger the number, the closer to the aisle; the smaller the number, the closer to dead center.

As with many older houses, legroom here is tight. Since we were on the aisle, we often stood to let people pass, and when a larger patron arrived, we all stepped fully into the aisle to make space – the clearance is that slim.

On the upside, the seating is packed close to the stage, so even in Row K (12th) we felt quite near. Compared with, say, the Gershwin for Wicked, Row K at the Belasco puts you much closer.

After exploring the theater, we headed for the restrooms. At this venue, both the bar and the restrooms are downstairs.

Beer runs about $14 – Broadway pricing – but it comes in a souvenir cup you can keep, so we grabbed one and returned to our seats.

How to get the most out of this show

Aisle seats in the orchestra are absolute winners

Stuff handed to us by the cast from the aisle
Right after we sat down, an usher warned me, seated on the aisle, to “stay fully inside your row.” They told everyone on the aisle the same thing. The reason: the cast uses the aisles. Once the show began, performers were entering and exiting past us all night.

They didn’t just pass by – they chatted with audience members, high-fived, the works. Mid-show, there is a flyer handout scene to recruit bandmates, and yes, they hand flyers to the audience too. It has been a while since we saw a show interact this much.

Check the merch at intermission

Merch stand just inside the main entrance on the left
Just inside the entrance on the left is the merch shop. T shirts $20, mugs $15, original cast recording CD $20, and more. Because the story is set in a quiet New Jersey suburb, the T shirts are intentionally dorky-cool.

The show cracks plenty of Jersey self-deprecating jokes, and the merch reflects that – think a New Jersey outline with “HELL YEAH” across it. Lots of comedy in the designs.

Post-show fun! First-time stage door

The show was such a blast that we decided to do the stage door for the first time in a while. On Broadway, the distance between actors and audience is small – ask an usher and they’ll tell you exactly where the cast exits. This time the answer was “up the steps to the right after you exit the front doors.” The Belasco has no back alley door; all entrances are on 44th Street, which makes things easy to find.

They were doing a meet and greet

Usher checking the VIP list for the meet and greet
Stage doors are standard on Broadway, so there are always staffers managing the area. The entrance the cast uses is roped off – easy to spot. This time, we saw an usher studying a binder.

When we asked, they explained it was the VIP list for a meet and greet. For preview performances, winners of a pre-show drawing receive wristbands and can go inside to shake hands and take photos. (Meet and greet.)

Get your Playbill signed

Because of the meet and greet, it took a bit for cast to appear, but after about ten minutes Ricky – Sawyer Nunes – came out. He is charmingly age-appropriate (only 16!), and happily signed and posed for photos. Afterward he just walked home. No car – on foot. That is Broadway for you.

Next, Mitch’s buddy Bart – Jay Klaitz – emerged, rocking a Stormtrooper tank top. Despite the long show, everyone looked energized. You can tell they genuinely love doing this.

About ten minutes later we met Mitch’s mom Sharon – Marilu Henner. Seeing her up close, it is hard to believe she is 66. A true star presence – poised and radiant compared with the younger cast. Everyone graciously signed and took photos, so we highly recommend trying a stage door for a lasting Broadway memory.

*Click the images to enlarge

Gettin’ the Band Back Together – post-show impressions

A finale so fun it earned an encore and a full standing ovation
We found Gettin’ the Band Back Together to be a musical you can enjoy without understanding English. it is the most audience-participatory show we’ve ever seen since “On Your Feet!” (closed Aug 20, 2017). The story is crystal clear, and the all-American gags and jokes will make you laugh even without the words.

If the relationships between characters seem tricky at first, no worries – we have a character guide on the detail page above. Read that and you’ll be set.

If you want a bright, laugh-out-loud time, pick Gettin’ the Band Back Together

Our Playbill covered in signatures
For tears and catharsis, we recommend “The Phantom of the Opera.” For a happy lift, “Aladdin” or “The Lion King.” But for laughs, choose Gettin’ the Band Back Together. It isn’t just joke after joke – it is world-class Broadway entertainment delivered by performers who can play live instruments, sing, rap, and dance, all at full throttle.

Vocally, Officer Mitchell stood out as the best singer of the night. For live-music lovers we used to recommend “School of Rock” without fail, but it was sadly announced to close in January 2019. This show fills that hole perfectly.

If you want to sit in your own world and quietly reflect, this is not your show (see Phantom!). But if you want a show that screams “this is American musical theater!”, don’t miss it.

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